Here’s what people have said about the COS performance of Sweet Charity 2013.
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Dropped into Mercury’s comments box……….
‘The sweet Charity cast should be on the television’
and
‘We took some friend to see sweet charity we all thoroughly enjoyed it. It really moved along with lots happening and a good convincing flow. The lead singer was absolutely superb. Well done really good and entertaining keep it up. ‘
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Dear Liz,
Very many thanks for your kind invitation to see “Sweet Charity” on Thursday.
Please pass on my congratulations to the company for the excellent performance of a show that in many ways is not the easiest to put across. Quite clearly Caroline had spent a lot of time in careful planning and then direction of this fine production. During my time as NODA Regional Rep. and Councillor, I saw several productions of “Sweet Charity”, including of course that of the Society in 2000, when I was Chairman. None reached the very high standard attained by this current offering, with its excellent characterisations, including a superb performance from Leanne as Charity. There was also first class chorus work which, in particular, was notable for the discipline shown in the Fosse style of choreography displayed.
Musical direction of an excellent orchestra by Neil was first class, with sound design and control such that both words and music were equally enjoyed.
An excellent evening and, once again, thank you.
Yours sincerely
John Warburton
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From: Gary Duncan
Subject: Sweet Charity 26 Jan 2013
Message Body:
The song ‘The Rhythm of LIfe’ is known widely as a rousing Sammy Davis Jnr number. ‘Hey Big Spender’ is typified as a sassy display of South Wales lung-power.
I had no knowledge of the ‘Sweet Charity’ narrative until this afternoon.
To hear the songs in context was a revelation.
To see the talent of COS was just fantastic.
To draw emotion from a performance is a great; crying at real weddings may be natural, but why was I brushing them away this afternoon?
Ah, the power of theatre!
Sincere best wishes and thank you for a great performance!!
Reminds me of an old 1970s Slade song: ‘COS I Love You’
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From: austin hicks
Subject: sweet charity
Message Body:
my self and my partner came to watch sweet charity It was the first show of yours we have seen and we enjoyed it so much the lead role of charity was played to the highest of standards she should be in the west end I myself have been in sweet charity back in Kings Lynn in Norfolk in 1996 and it was a real treat to see the show being done again and not been changed in any way, a massive congratulations to the society and the cast of sweet charity can wait to see next show and hopefully one day join u all on stage myself .
regards Austin hicks
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East Anglian Daily Times (EADT) Review
February 4 2013 Latest news:
Sweet Charity by Colchester Operatic Society
Review: Sweet Charity, music by Cy Coleman, lyrics by Dorothy Fields, book by Neil Simon at Colchester Mercury until Feb 2.
Wednesday, January 30, 2013
12:59 PM
This often seems less like a musical and more like a series of cabaret turns for the leading lady. The story is paper thin and predictable but if you’ve got the right girl playing Charity it’s hugely entertaining – and Colchester Operatic have got a lulu.
Okay, Leanne Fincham has played the part before, eight years ago, but now she’s honed it to perfection in a performance that strikes sparks off the rest of the talented cast.
Leggy and gauche, she knows how to deliver a song and enjoys an easy sense of fun that rattles up the laughs.
If My Friends Could See Me Now is always the big number for Charity Hope Valentine, the fatal picker of men who can’t say no. Played out in the bedroom of film star Vittorio Vidal, she belts it beautifully and fills the stage with steps that Bob Fosse would have been happy to watch.
She’s also very good in I’m a Brass Band and finds a nice edge of pathos in Where Am I Going? Her comic timing comes sharply into play in the scene where she is trapped in the lift with Oscar, the latest love of her life, with their song I’m The Bravest Individual.
But this is by no means a one-woman show. Far from it. David Rutter is a good Oscar and Emma Ward and Jo Daniels are in fine form as Helene and Nickie, her friends in the shabby Fan-Dango Ballroom. Their Baby Dream Your Dreams is a delight.
Olly Medlicott’s Vittorio is another voice in nice nick but Jonathan Davis takes the prize for sheer verbal gusto. His I Love To Cry At Weddings is great.
Colchester Operatic turn out terrific, well-drilled singing-dancing chorus teams and the choreography in this show is top class, particularly in I’m a Brass Band and the stonking Rhythm of Life with Daddy Brubeck (Richard Bland) serving up doubtful good advice to his pot-happy congregation.
The large orchestra under musical director Neil Somerville lends powerful support all through and gives the show a creative continuity.
David Henshall.
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